Telling the Stories Behind the Quilts in Our Lives
While at The National Quilt Museum recently to teach a three-day fish class (more on that next week) and visit my “Specimens” exhibit of fabric collage quilts, Rebecca Glasby, Director … Read More
While at The National Quilt Museum recently to teach a three-day fish class (more on that next week) and visit my “Specimens” exhibit of fabric collage quilts, Rebecca Glasby, Director … Read More
Creating art doesn’t happen in a hermetically sealed bubble from which the our day-to-day lives are banished. For those who create art, the events in their lives have a profound … Read More
From my husband Tom: Okay! Change of plans. We were supposed to have a new post this week. Instead we’ll have one more week of my favorite posts while Susan … Read More
From my husband Tom: Okay! Change of plans. We were supposed to have a new post this week. Instead we’ll have one more week of my favorite posts while Susan … Read More
From my husband Tom: Susan is temporarily handing over the keys to the blog post to me. I’ll see to it that you continue to receive your regular dose of … Read More
I chose “Gombessa” as one of my favorite quilts of Susan’s because of its story. Susan is always encouraging her students to create a “backstory” for the subject of their quilt. Sometimes, as with a portrait of a family member, that story is “built in.” Other times a story has to be made up. In this case, Susan’s inspiration came from a book that I recommended to her after reading it myself. The story of the re-discovery of the ancient coelacanth is a fascinating one. It certainly inspired Susan! Today’s post will give you the brief version of that story and tell how that story drove the decisions she made in the quilt’s creation.
The quilt featured today, “Peace, Love Tie-Dye, Save the Whales,” is a portrait of our son, Sam, at age thirteen. Susan has also completed two other portraits of —in very different styles—at age three and twenty-three. See him pretending to be a dinosaur in “Samuelsaurus Rex,” and as Susan imagined him as a crescent moon in “Earthshine.” As I said, these three portraits each represent a different style that Susan has achieved using fabric collage: “Samuelsaurus Rex” is done in dabs of color similar to expressionist paintings; “Peace, Love Tie-Dye, Save the Whales” imitates the pop-art style of Andy Warhol; and “Earthshine” is represents Susan’s attempt at magical realism, taking a fantastic premise but treating it in a realistic way. These varying styles underline the flexibility of the technique of fabric collage.
Today’s quilt, “Dixie Dingo Dreaming,” is a portrait of her beloved dog Pippin (yes, named after the Lord of the Rings character). Many of Susan’s quilts are intensely personal. In this case, the quilt now memorializes our dearly departed pup. As we say in the post below, “high” art tends to avoid the personal, the sentimental, as though those feelings cannot possibly have anything message of value to pass on. This isn’t true, of course. This quilt continues to speak to most who view it. The extended story connected to its construction, as you will read, only adds to the meaning viewers take from the quilt.
Today I’ve chosen “Tickled Pink” to share. Artists have seminal works, pieces that set an artist in a new or particularly fertile direction. “Tickled Pink” was one such quilt for Susan. The bold yet playful use of color that has become a trademark of hers is on full display. It also marks the first large animal quilt she did. Though not full size, like “Crocodylus Smylus”, Albie the Rhino launched a string of large animal quilts that have been gathered in her “Specimens” collection which has shown at both the International Quilt Festival-Houston and AQS Paducah. I also want to bring to your attention a recent field trip by two of Susan’s students to visit “Tickled Pink” when it was on display in Scotland.
From my husband Tom: Susan is temporarily handing over the keys to the blog post to me. I’ll see to it that you continue to receive your regular dose of … Read More