It’s the Dog (and Goat and Pig) Days of Summer! We’ll begin this first post of August 2025, with Shadow (above)—a wild and perky small dog with a big personality—a family member and the newest collage subject of Stacey Starr, one of eight students in this early summer online class.

For all the five-day classes I teach, I now include pre-class coaching to help students make decisions for what to bring to day one for a new fabric collage project. Things like choosing a subject and pose, making a drawing, and initial fabric selection. In photos Stacey sent in for coaching, above and below, you can see how they relate to those points—including some annotations I made on Shadow’s photo to help see how the values (lights and darks) are separated on his dark face.
Years ago, Grace Crocker, another student, took a trip into Canada with her husband, Bill. Faded snapshots of “goats on a roof” were the source photos for this next collage of hers. Using the Zoom annotation tool, I was able to put my rarely used architectural perspective skills to use as together, Grace and I, decided what were the most important roof and window lines to include in the pattern she was drawing,

5-Day Live Online Class—June 2025

My June 2025 Live Online Class participants: left to right—top row; Grace Crocker, Me, Mary McKay—middle row; Donna Cook, Liz Imperato, Stacey Starr—bottom row; LeahGrace Kayler, Laura Larsen, and Barb Grant.

There was only one person in this group that I hadn’t worked with in a class before, so I was familiar with almost everyone and looked forward to again help bring out their creative visions. Reading the message that Grace Crocker sent Tom and I, at the beginning of the week, I think she felt the same:

Looking forward to another great week, meeting new people, seeing old friends and getting loads of help and inspiration from Susan.

Both this week’s and next week’s posts will follow the progress of these talented women in this online class—including a few fun-to-see shots of their increasingly messy yet very productive creative spaces. “Show and Share” photos from our mid-week after-class evening together are included as well.

This week we bring you the in-progress fabric collage classwork of: Grace Crocker, Stacey Starr, Barb Grant, and Mary McKay. Enjoy!

As you view this post, click on any smaller image to see it larger and to scroll through each gallery grouping.


If you’re looking to increase your fabric collage skills, I have several opportunities coming up, including another Live Online Class in November 2025. For more information, visit my teaching schedule, or you can contact Tom.

And there’s still a chance to attend my Fly On the Wall: Studio Watch Summer Series—a fanciful moon portrait, Bella Luna. If you sign up any time during the July-August series, you will receive links to any previous recordings of all four sessions. Click here for more information about my Fly On the Wall—Bella Luna learning opportunity.


Grace Crocker

Grace joined us from Chico, California—her goal for the week was to complete the first draft of her goats, Gramps and Sonny, and to figure out how to create a reflection in the window of the sod-roofed farm-stand that she and Bill visited. Grace says that animals aren’t her thing, but I beg to differ. The very first collage (of many) she made with me was her big ol’ dog, Sam—and he still may be my favorite—though these goats are pretty fantastic. You keep going, Grace!

Grace Crocker and her now quilted, “Two Billy Goats Gruff.”

From Grace:

Animals are not my thing, but [this animals-only class] was another opportunity to learn with Susan. “Two Billy Goats Gruff” started with a photo I took of “Gramps” on a roof while on Vancouver Island. “Sonny” was an Internet find (copyright-free).

When I needed a reflection for the window Susan suggested that I use a photo of my own Bigfoot collage. Perfect! Background fabric is from Spoonflower. It’s all done now, one month later, except the top binding. I had to order another piece from Spoonflower to get the match I wanted.

“Two Billy Goats Gruff” by Grace Crocker
What a fun panorama photo Grace sent us! I know it took a lot of restraint for her to not pick up the floor or fold her fabrics first, but it shows the creative energy so much better this way.

Grace Crocker Show and Share

See Grace’s “Bigfoot” collage quilt in her show-and-share gallery below.


Stacey Starr

Stacey joined us from Franklin Lakes, New Jersey—her goal for the week was to get “life into the eyes,” as well as figuring out the nose and teeth, of her little “spitfire” mini-schnauzer, Shadow. She’s definitely capturing his energy with her collage style. By the end of class, Stacey was considering a jungle-like background (see strip of fabric showing on the left side of photo below), due to his hunting forays into the underbrush behind their home! Stacey’s stories of Shadow added to the fun of seeing this portrait come together.

“Shadow” by Stacey Starr

Stacey Starr Show and Share


Barb Grant

Barb joined us from Pacific Grove, California—her goal for the week was to get snout-to-ear covered on her pig, Edison,” in this latest collage of her plaid themed barnyard series. As Barb remarks below, plaids (and other grid-like prints), aren’t easy to work with—not my first recommendation for types of prints to work with for the rounded contours of most of my students’ chosen subjects. However, as Barb proves, “where there’s a will, there’s a way.” And I think she’ll agree with me, Barb has a strong will. 😉

Barb Grant continuing to work on “Edison” after class has ended.

From Barb:

My pig in the works is named Edison, after a super helpful male nurse I recently encountered (with his approval).  I often name my work, it helps me create “their story”, and makes it easier for me to develop their personalities. Edison is a member of a plaid group of farm animals I have in mind. Why plaid? I adore plaids, so why not? Not the easiest choice of fabrics, but I enjoy the challenge.

Edison the Pig, will join Montgomery the Rooster, and Augustus J. Clark, the upcoming blue Donkey. My physician likes blue, and requested one named after him. I assured him it was not a Jackass!

Barb sent along a photo of a corner of her fabric-filled studio.

Barb Grant Show and Share

See Barb’s in-progress, plaid barnyard “Montgomery the Rooster,” below.


Mary McKay

Mary joined us for only three days from Palm Desert—her goal for those days was to get the final niggly details finished on this so very colorful and adorable collage. It’s been a long journey for this portrait of little Lucy and her dog Homer. Mary took them through all three construction drafts—getting it down, fixing it up, examining every detail and editing if needed. Congratulations, Mary, you did it—they’re fantastic!

“Lucy and Homer,” by Mary McKay

From Mary:

When you are creating a collage, and fabric and time are flying by sometimes you just want to be done. Then you look at it and realize there are issues you can’t fix without help. Enter, Susan.

The June class wasn’t full so I was able to join for two days which I extended to three so that Susan could coach me through some needed fixes. Homer and Lucy are now in line to be quilted and I am looking forward to being reunited with it and giving it to its forever home.

Mary McKay Show and Share

Mary and one of her best friends, Mary—the recipient of one of Mary’s collage portraits and the great-grandma of little Lucy!

Next Saturday’s blog post: more amazing fabric collage art by my spectacular students in—Fabric Collage (Not) On the Road: June 2025 Live Online Class Part 2. Be sure to check it out!

6 Comments

Leave a Reply

Your email address will not be published. Required fields are marked *