This is my first ever blog post. I’ve been considering starting a blog for some time. Looking around at other quilters and quilt teachers, it seemed like an almost mandatory part of being in the biz. I’ve been trying my darnedest to manage the new frontier of social media. The toughest part is keeping up without letting it take over my life. I now have five separate ways to keep in touch with fans, students, other teachers, and friends.
- Website: www.susancarlson.com
- Facebook: www.facebook.com/susancarlson
- Monthly emails newsletter: firstname.lastname@example.org to sign up
- Instagram: pink_rhino_quilt
- And now, my blog: susancarlsonquilts.wordpress.com
They each serve different purposes: My website is a place where I can always be found. It comes up number one in a Google search of my name. If you want to book a class or buy my book or patterns, that’s the place. Facebook is for those who want to keep up on what I’m doing on a more regular basis: teaching gigs, new quilts, student quilts, travel, and so on. The email newsletter reaches out monthly to those who don’t need to follow my daily happenings but want to know when I’ll be teaching at a retreat or having a quilt in a show near them. Instagram is more occasional and informal. I use it to share funky and fun stuff that catches my eye.
And now the blog: The blog is for the hardcore quilter. Here I hope to share as freely as I can: technique, inspiration, frustrations, process and theory. If you’re reading my blog, you’re ready to learn more. An occasional Facebook post isn’t enough. Maybe you’ve heard of fabric collage and are intrigued. Maybe you have a question that deserves a longer answer than I can give in an email. If so, the blog is for you.
Since this inaugural blog follows so closely on the heels of the unveiling of my latest quilt, Crocodylus Smylus, I figured I would make that the topic of my first series of blogs. Part one appears below. In the next couple weeks I’ll post parts two and three.
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Where do ideas come from? What makes an idea spark? How does the spark of inspiration light a fire of creation?
In the case of “Stevie,” the first spark of inspiration came from my son’s nature encyclopedia. Reading to him one night I ran across the startling fact that Australian saltwater crocodiles can grow to twenty-feet or more. As I lay next to him in his bed, my son and I imagined how big that is compared to our house. “From here, through the den, into the kitchen.”
I had already done a few large animal quilts: Tickled Pink, Polka Dodo, and Gombessa. And I had a list of other animals I wanted to do: a fruit bat (Fructos) and a Costa Rican golden toad (Million to One), for example. I added saltwater croc to the list.
But an idea doesn’t have a chance of catching fire unless it’s given the opportunity. Sometimes there are life-circumstances that prevent you from pursuing your inspiration.
Assuming one has the skill to pursue such a project, you still need at least two other things:
Oh yeah, the old space-time continuum. To boldly go where no one has gone before…
I knew from the beginning that if I ever did a croc, I’d want to make it life size. At the time, however, my studio was a twenty-eight foot diameter yurt. Nice size but round, no wall for such a big project. Fast forward a few of years, though, and I had built a new 32 x 32 foot square studio.
I had space. And a big pinning wall.
Just as important, I was at the point in my career where it wasn’t completely insane to consider spending six months or more to create such a quilt. I appreciate that not everybody can make that choice. It’s a luxury, I know. I figured that if I could concentrate most of my teaching in the winter months, I could have much of the summer and fall to work on the piece.
I had time.
I had no more excuses.
How do you eat an elephant? Bite by bite.
For me it starts with a little research. What does a saltwater crocodile look like? Google to the rescue. I collected some pics. (Taking care to avoid copyrighted material.) Drew some sketches. Drew some more sketches. Threw some of those away. Did a scale drawing.
In the meantime, my husband Tom extended my pinning wall. When we designed the new studio, we left fourteen feet of the western wall to be a pinning wall.
Quoth Tom: “That ought to be big enough for you.”
Oh, foolish mortal.
A twenty-foot crocodile demands a twenty-foot pinning wall. He eventually extended the styrofoam board to a full twenty-four feet to account for the background, which would be bigger than the croc herself, of course.
After pinning a piece of flannel to the pinning wall, I transferred the scale drawing to the fabric. I used a grid to go from a ten-inch sketch to the full-size piece. Once the outline was there, I drew in a few details, especially around the head.
I began with the eye. Here’s a summary of my technique:
- Freehand-cut fabric to size.
- Pin in place. Repeat steps one and two again and again.
- When satisfied, tack in place with craft glue.
- Continue until image is complete.
- Quilt and bind.
That’s really all there is to it. Complicate it however you want, but that’s the bare bones. That’s how the eyeball above became this:
A journey of a single step begins with a thousand miles… wait a minute. Actually that makes sense–to me anyway. My students often want to know where do I start? There is no start. Or are you continually starting? When did I start making the crocodile? When I placed the first piece of fabric for her eye? When I drew the first sketch? When I first read about saltwater crocodiles in my son’s nature encyclopedia? Or was it even earlier? When I first grabbed a glue bottle instead of using traditional methods? When my mom showed me how to sew a stitch?
The point is, a work of art is the product of everything that came before: all your experience, all your technique, all your knowledge.
I have already started my next piece. Wonder what it’ll be…
Continued in Part 2 of 3